Judges

After watching the recent  'Dredd' film, which was excellent I was reminded of these... Many years ago I was asked to do the instruction sheets for Halcyon's Judge Dredd kits. Well, some of them, alongside the excellent Andy Roper who got me the gig in the first place. This was before Photoshop and was put together by producing master drawings that were then photocopied and pasted into a sequential instruction sheet. All drawn with pencil and black felt tip! Here's Judge Death.

I also did Judge Anderson, the Stallone Judge Dredd and Mean Machine. I shall seek those out and post them too!

Edit: Found Anderson and a pic of Dredd. The Anderson is a very close copy of the sculpt.

 

Alphonse Mucha

This is the text of a brief piece I wrote for Imagine FX on Alphonse Mucha. Mucha was and is one of my art heroes, and hopefully through my bad grammar this is apparent. In the article they asked me to include some of my own images inspired by Mucha. I've not posted those here, as it's more appropriate to give a couple of examples of his work.

Alphonse Mucha

In 2000 I visited Prague, and one of the things I wanted to do whilst in the city was visit Vyšehrad cemetery. A little morbid perhaps, but the final resting place of Alphonse Mucha felt like more of a pilgrimage than something more prurient. Mucha died and was buried here in 1939 from contracting pneumonia after his arrest and interrogation by the Gestapo, he was a man much remembered for his contribution to poster art, and like the Pre-Raphaelites before him, for painting ethereal romanticised girls and women, (often well known actors such as Sarah Bernhadt, or Maude Adams), in environments recalling idealised nature or fantasy. But like the Pre-Raphaelites, there was much more to him than the popular perception. The Nazis despised him as he championed his Czech culture and Slavic heritage, and for much of his later life he created the stunning and enormous ‘Slav Epic’, which resulted in 20 paintings, the smallest being over 4 metres wide, and the largest, twice that.

When people think of Art Nouveau (the phrase meaning ‘New Art’ first used as the name of a shop in 1895 Paris), almost synonymous with that expression, is Mucha, who’s swirling organic shapes and forms seem to almost define the term and the ‘movement’ that has a genealogy traced back to William Morris, the Pre-Raphaelite friend, artist and textile designer. Yet, Mucha ultimately attempted to distance himself from Art Nouveau, and the aesthetic movement, as for any artist, definition can limit and constrain; a constraint that it is clear Mucha found increasingly frustrating. He believed art operated on a more spiritual and personal level, and Art Nouveau never really moved beyond the appreciation of form over content. However within the nascent advertising and illustration world that was evolving at the end of the nineteenth century, Mucha found a perfect place as the superb draughtsman and designer he was. Much in demand for posters, illustration, fashion design, murals he could have worked indefinitely within that world, yet as someone who felt art should have deeper metaphor and allegory, he eventually turned his back on it, concentrating on his personal projects, amongst which the previously mentioned ‘Slav Epic’ dominated from 1910 to 1928. But he was part of the ‘spirit of the age’, and the Fin de Siècle, and probably knew that to some extent, and that knowledge led him to write in 1900: “I swore a solemn promise that the remainder of my life would be filled exclusively with work for the (Czech) nation.” 

It is ironic then, that 72 years after his death, Mucha is now best remembered as the superb poster artist he was. Ironic, but not surprising. In all ‘Art’, ‘accessibility’ is often what provides longevity. Aesthetic is universal, whereas ‘message’ is not. Ask many people if they have heard of The Slav Epic and you will probably come up blank, but point to an example of Mucha’s ‘Seasons’, and you will probably be luckier. As a student, next to my Siouxsie poster, I had a print of Mucha’s ‘Moet and Chandon, Crement’ advert on my wall; beautifully decorative, it was a ‘pretty girl’ in pastels and flowing cloth, incorporating some elements in the design that almost predate Art Deco. But there is little depth to it as an image other than the purely aesthetic; the decorative. It was an advert! Need it achieve more? Probably not, but the universality of using a ‘pretty girl’ to sell a drink is still with us today, Mucha just got in at the beginning, and ‘realised’ it better. However, it is also clear that Mucha rooted many of his female characters in-line with his heritage. Unlike Gustav Klimt, with whom Mucha is often compared, Mucha on the whole did not paint ‘High Society’. His women are girls of the field, artisans or ‘the girl next door’. When not painting actors like Sarah Bernhardt, Mucha drew inspiration from everyday folk to act as a vehicle for his imagination, and maybe that is a key to their appeal. They aren’t the rich and famous, but show a much more accessible social and indeed socialist ideology behind the patterns and pastels.

It is said though that every artist has his time. Mucha’s came and went, but now it is arguable he is better known that he was in his lifetime. Considered decadent and bourgeois at the end of the forties by the changing Czech government, his Slav Epic was mothballed as it had been prior to the Nazis invasion to avoid destruction, and didn’t see the light till 1963. But Governments change and art remains. The Slav Epic stands on permanent display in the Czech Republic. And there’s the thing… Mucha’s posters and advertising work, although they fell out of fashion before and after his death, were an example of an aesthetic that couldn’t be suppressed. The very nature of advertising and promotional art is that it disseminates and becomes part of the melting pot of culture. Nowadays the style he became associated with, Art Nouveau, is just part of a great resource of ‘Art’ that advertising and image making use to integrate with a need or agenda, and you will see Mucha and Art Nouveau constantly used in popular culture. When that need arises, reference will ultimately be made to those proponents of a style who ‘did it best’, and Mucha certainly did it best!

On a personal level and aesthetically, Mucha has influenced a number of my pieces; ‘Medusa’, probably being the most obvious. An image I completed for an online character design challenge. And ‘The Absinthe Fairy’, that although recalls Mucha less so, is designed to feel like an old Art Nouveau poster. He inspired me in ‘Sunrise’ as well, probably the most risqué image I’ve ever done. His ability to incorporate superb design and composition, his use of embellishment and organic forms is enormously influential, and he was a superb designer alongside his technical skills as an artist. Although the personal images I mention are little more than pastiches, the mere process of looking at Mucha and how he works adds to our understanding, and the next stage is to move beyond that and use his inspiration to inform our own journey as artists.

When Mucha died in 1939, a public gathering to mark the event was banned by the Nazis. It is a testament to Mucha’s influence on his home country that 100,000 people ignored this to attend his funeral in Vyšehrad.

Rosalind as Proserpine

More ruffs and puffs... Painted as a pastiche of 'Proserpine' or 'Proserpina' by Dante Gabriel Rossetti. (Link HERE). This is a piece to accompany the Elizabethan sequential story I've been working on. I've copied the original down to the wonderful yet bizarre Rossetti hands as closely as possible, however the differences are obvious as it's meant to be my Tudor protagonist, Rosalind. Also it was a long vertical composition and I love those!

Death: The Endless, and her Umbrella

Two updates in a week! Whatever next..? This image is from an old sketch I did of Death from The Endless. An artist chum, Mr LEE MOYER suggested we work together to finish an image for a friend of ours as a present for her, and we decided on this one. I did the sketch, Lee did the painting then I did a couple of minor tweaks. I think it's finished, but who knows... The final and the sketch.

Amanda Palmer Tarot: The Empress

Recently I was asked to contribute an image to the Amanda Palmer Tarot, soon to launch as a Kickstarter campaign. The card I was offered was The Empress, and I have permission to post it, so here she is! Mixing up my Tudor obsession with various esoteric symbolism was too good a chance to miss, and also being a bit of a fan of The Dresden Dolls helped! And yes, I've been a bit cheeky as well...

Illustration Master Class

In 2010 I attended the Illustration Master Class in Amherst Massachusetts. It was a pretty daunting experience to undertake, but my good friend Jonny Duddle had been the year before and recommended it. Run by Rebecca Guay, it includes a core faculty of Rebecca, Dan dos Santos, Greg Manchess, Donato Giancola, Scott Fischer, Boris Vallejo, Julie Bell and Irene Gallo. There are a number of other artists who visit including James Gurney, Peter de Seve, Brom, Mike Mignola and Iain McCaig plus many others and all teach!

For one week there are lectures and each student works on one of the assignments or a piece of their own. There are no hard and fast rules, just lots of information. Whether you're a student, a beginner or a seasoned pro, there is MUCH you can take away from IMC merely by attending. I haven't managed to finish a piece yet, and I've been three times. 2010, 2011 and this year. Each time though, I choose to work in a medium with which I struggle and that tends to be oils. I have now done three oil paintings, all at IMC, and each one is a bit better than the last. (THIS was one of them)

So perhaps I'll go back again next year. Perhaps I'll go with less expectation of finishing something, but the chances are I'll use it to push myself away from some of the techniques I am comfortable with, and just remember that doing that which you don't normally try is how we grow. Anyway, this was the portrait I did. Nothing like the subject, but I changed it into an exercise anyway, and also a pencil sketch I did one evening of Titania. I also include the linework for the image I wanted to do at IMC, but sometimes our eyes are bigger than our stomachs...

London Comic Con

Another convention, in London! Yup I'm getting in the old Land Rover with lots of prints and books 'n' stuff and heading down the M1 and the M25 (Cthullu help me!) to 'the Smoke'. Please come along and say "Hi" at the:

LONDON COMIC CON (Clickable linky winky)
EXCEL
Royal Victoria Dock

this coming weekend 25th and 26th May. I'll be in the Comic Village (guess I'm the comic village idiot), at table A3. (I was trying to working out the numerological significance of 'A3', and have established that it's the table I'll be at.)

Wonder Woman

Just found this old redesign of Wonder Woman in a sort of 40's style. I think this came about when I was drawing The Mesmer. It was only a sketch, but I might work it up someday (and correct the anatomy!!)...

Edit: On another note, we had a thunderstorm and a lightning strike on the house behind ours. Minimal damage but very dramatic. As a result the two routers in our house blew out through the phone line and I'm currently using a very old one I found at the bottom of a box, till the new one arrives. As a result I have limited access to emails, but should be back to normal later in the week.

TTFN.

Bristol Comic Expo

May the 11th and 12th, I'll have a stall at the BRISTOL COMIC EXPO. Third time here, and it's a great event!

Guests include Ian Gibson, David Lloyd, Mark Buckingham and lots of other scribbly, writy or actory people!

>>LINK<<

BRUNEL'S OLD STATION
Clock Tower Yard
Temple Meads
BRISTOL
BS1 6QH

Sketches and Stuff

Some sketchy stuff. Some burlesque doodles from last year I didn't post,which were done to warm up in the mornings. An unfinished drawing of Ozma from Mr Baum's books. And at the end a very old sketch I thought I'd post just because I found it again, and rather liked it. More inspired by Rupert the Bear than Laputa, and certainly not by Avatar!!

'Draft one' is done!

Well, the first draft of my graphic novel is finished! A big milestone for me! I65 pages all roughed out very loosely. Now I can go back and edit and start refining. Right now it's nothing like it'll look, but I subscribe to the philosophy 'get it written'! Everything else comes later... :)

Leeds Steampunk Market

Tomorrow, Saturday 9th March, I'll be at Leeds Steampunk Market. I've had a stall at this event a few times, and it's always a real occasion! Lots of great crafts and alternative creators selling all sorts of bits and bobs (wow, that was specific!). I shall be ably assisted by my ever faithful minion Mistress Rosie Lugosi! (Dead Matty - my other faithful minion, is on his hols).

My stall will be to the left as you come in, next to the glorious Anne Stokes.

>>LEEDS STEAMPUNK MARKET<<

Leftbank,
Cardigan Road
Leeds
West Yorkshire
LS6 1LJ

Oh yes... 12 midday till 6pm. But get there sharpish, I may have to swan off about 5.30.

The Absinthe Fairy

This image is called 'The Absinthe Fairy'. I produced it for an on-line art challenge in 2009. The whole process of its creation was documented as the challenge required you to do that. The image is MINE. I created it without reference or source other than the obvious inspiration. I am currently seeing this image all over the internet, on sites such as Etsy, EBay, Cafe Press etc listed as 'vintage', placed on various items that vendors are selling, from jewellery to bedding to mugs. They are infringing copyright. It's NOT vintage, it is 4 years old. It has been licensed out ONCE to the writer Christopher Moore with changes made to it to suit his requirements. The watermark is ugly isn't it? Wouldn't it be a shame if everything an artist posts has to have that or similar through it?

Tippetarius, Jinjur and Glinda

A few sketches of characters from the Baum Oz books. First General Jinjur, who's enlisting to help bring down the Scarecrow! Then Tippetarius, who started out as Woot the Wanderer, but looked more like Ozma in her alter ego as Tippetarius. Then Glinda, who actually looks more like Ozma! This is after looking at John R Neill's works and feeling inspired. There's a link here to see my process on Jinjur, if anyone wonders how one of my digital sketches takes form.

>>LINKY WINKY<<  (It's a gif so patience will be required, sort of...)

Working Girl

A few sketches I did a number of week back. Was just browsing the folder they were in looking for something, so thought I'd post them here! :)

Tarot Awards

After the Christmas break it's rather lovely to come back to some rewarding and wonderful news... 'The Steampunk Tarot' has been awarded Tarot of the Year by Tarosophy Website for Professional Tarot readers. It's a fantastic honour and recognition for Barbara Moore's writing and my artwork, and I'm enormously grateful.

My artwork also received Best Artwork from The Tarot Lady website, which is rather fantastic and flattering. Thank you Theresa Reed!

Darkrising: The Art of Aly Fell

Well, 'the book' is HERE! I just took delivery of 8 boxes of 'DARKRISING: The Art of Aly Fell'. Never a bad thing! This is my first collection of personal work, and I am enormously grateful to SQP Publishing for offering me this opportunity.

48 pages, soft-cover, with dozens of images, and even a pic of my ugly mug in the introduction! You can buy it by following the link on the left hand column of the blog, or alternatively clicking HERE. (It takes you to the same place on my website either way).

Hint hint... nearly Christmas... ahem... cough...

Darkrising!

Popped out to the post office this morning to collect a missed delivery, and it was THE book! :) My first personal collection. It will be available soon, these are just the advance copies for my own personal perusal. Thanks to SQP, Bob and Sal for this!

First Oil Painting Monstrosity

I don't think I've posted this here yet... good reason why really! I've been to the Illustration Master Class in Amherst twice now. The first time as a solitary Brit, the second with my chum and artist extraordinaire Mr Jonny Duddle. The IMC is a great week long course with some top notch illustrators. Initially I went with the noble intent of learning oils, only having played with them a bit at college about !!!??? years ago. However, IMC is not the place to learn a new medium. It is the place to get great feedback and all sorts of ace help from other artists, but you're better off going with with a medium you're familiar with or at least have SOME understanding of. Anyway, my ambitious plans to be socially aware and produce a contemporary Joan of Arc (the option I chose) went pear shaped when the sketch I did was too ambiguous. In the end I narrowed it down to a 'portrait' just as an experiment with oils. This was the result. My 'first' oily mess.

Looking at it again, it has its moments, somewhere, sort of... At least it was easy to get in my luggage and back to the UK as it's pretty small. I've set up my studio to do another, that I posted about a bit ago... but I've been distracted since.

Oil on board, 8" x 10". Wow, that makes me sound like a 'proper' artist!

Rosalind

A character piece for my Elizabethan story. This is Rosalind, and I've done quite a few of her! I finished this one a couple of weeks ago, but I was a bit naughty - I adapted parts of the door from 'Trilby' to use as the panelling behind. Otherwise the pose is from a rough sketch I did for something else many moons ago. She normally wears leggings below her trunk hose, but there's nothing wrong with a bit of thigh... ahem...

The gun is a wheellock which historically appropriate. I recently went to the Tower of London where there are some 16th century wheellock pistols on display.

Here's a little story concerning Elizabethan weaponry:

In 1579 a young man called Thomas Appletree was showing off to some friends in a boat on the Thames. He had a gun and was firing off shots for the fun of it. Nearby the Queen was entertaining the French ambassador on her royal barge, and one of the bullets managed to hit a crewman, injuring him. People were convinced the Queen had escaped an assassination attempt. Appletree was found and confessed to firing the gun, and was condemned to death. A gallows was erected near the scene of the 'crime'. At the execution, Appletree mounted the gallows and told the people watching that he was not a traitor, but admitted he had been careless and stupid, and believed he deserved to die for endangering the Queen. Essentially, he'd been a bit of a twit! The noose was put round his neck and at the moment of execution, a man stepped out of the crowd from the Queen with a written pardon. She had known he was just a silly young man, but he had to be taught a lesson.

What we learn from this, is Elizabeth the First had a twisted sense of humour!

Leeds Steampunk Market

More 'event' goodness, although I'm not sure anyone reads blogs any more, as the migration to Facebook now includes one seventh of the world's population apparently! But none the less I shall be in Leeds tomorrow at the STEAMPUNK MARKET. Whilst not strictly speaking a Steampunker, (a penchant for drainpipe trousers, winklepickers and studded belts negates a full time commitment to all things beige and brown) I've had a bit of a thing for goggles before they became the 'must have' item for all budding post apocalyptic or colonial adventurers. And jodhpurs look damn fine on a woman I must say... but I digress...

As I say, tomorrow I shall have a stall, and will sell printy type things, booky type things and indulge in general chit chat and tea drinking.

Leftbank,
Cardigan Road,
Leeds,
West Yorkshire
LS6 1LJ

(an old red-brick church, opposite Milfords woodyard), between Harold Grove and Royal Park Road.

Saturday 6th October 2012, 12 - 7pm (although I'll be buggering off at 5.30).

The Black Mirror

An image from an ongoing personal project. The title is in a state of flux, but this is where it's at right now. Set during the reign of Elizabeth 1st is all I'm kind of going to say now! Part of my ongoing obsession with all things 16th century and Tudor costume, although that's not really apparent from this pic!!. :)

PS, a reminder I'll be at NICE this weekend in Kettering Northants selling, buying, chatting and looking.

Book of Stuff

I'm jolly excited to say that hopefully before Christmas I shall have my own collection of arty stuff on the shelves; what they call a 'monograph' in very posh expensive book circles. Published by the very nice people at SQP, I will have my very own ISBN number! :) So start saving those pennies, sheckels, dimes, dinars, etc (not too many of them!) for a book full of women 'doing stuff'. This is the mock-up cover, and I'll post more details as and when they become available, you know the drill.

And I thought I'd post this doodle I did a couple of weeks ago, inspired by a haircut! I originally gave her a ciggy, but changed it to a cheroot, as it seemed more appropriate. This was a real quickie, just to get started one morning, and this is the actual size! Sometimes it's quicker to work small and 'res-up' later, but I didn't here... doh, so a sketch it remains...
 

Be N.I.C.E. to see you...

More extravaganzas of scribbling delight! This one is new: The Northants International Comic Expo. Huh? you say... Northants or rather Northamptonshire, and this event is in Kettering, and has a great line-up of guests including the one, the only, the magnificent Alan Moore, not far from his stomping ground in Northampton.

I shall have a table here for the two days, ably supported by 'the missus'™, so please pop along!

For all you Londoners, who need to be 'encouraged' to leave your shining metropolis ;) Kettering is a real quick trip from St Pancras station up the East coast line. I know because I used to travel it a lot, so there's no excuse for not seeing you at it!

The Date: 22nd/23rd September
The Place: Wicksteed Park, Kettering, Northants.

Death:The Endless, Your Card I Believe?

A more rendered up version of a sketch I did a couple of years ago. Neil Gaiman's 'Death', whom I've always loved as a character. I bought 'Sandman' from almost day one and it's still a real treat to read over again.

"It's the only card you need..."

"Wheat and Wine"

I was trying to remember how I approached the method of 'The Absinthe Fairy' and did this, sort of a sketch I worked up a bit. The text is the last verse of a favourite poem: 'Wheat and Wine' by Aleister Crowley. I have a habit - not a good one - of doing these experiments at quite a low resolution. The next I'll do at a much higher one, and go a bit more overboard on the detail.

Manchester MCM Expo

Tomorrow, being the 21 first day of July in the year of our lord Twenty twelve, I am of a disposition most pleased to be able to impart details of attendance at The Manchester MCM Expo, by myself. I shall be endeavouring to impart wares and fineries of artistic achievement to the general populace, whilst enunciating most emphatically above the noise and hubbub of what is commonly known as 'Robot Wars'!

In other words pop along and say hello, if you can hear yourself over Craig Charles (I assume) warbling away.

EDIT: Thank you to EVERYONE who turned up yesterday for an event that exceeded all expectations! And thank you to all who bought a print or tarot deck or just chatted with me! As they say: props to you all!

Anima Sola

I did a doodle yesterday morning for something else altogether and it turned into this. Didn't want to spend too long on it so no ref for the awful hands but it was fun to do quickly. I'll probably look at it tomorrow and see the mistakes..! 'Anima Sola'... purgatory isn't all bad!

Edit: did a small tweak...

Bleh...

A close up of a full figure I did a little while ago. The reason I'm posting this is, A. To keep the blog alive, (I've been very quiet here because of commission work), and B. Because I'm having a go at doing this face in oils. I keep banging on about having another go at them, and always end up having to procrastinate for some reason. Well this time I printed it out as a tonal drawing and mounted it on hard-board (US - Masonite), a la Donato Giancola's method using Acrylic Matte Medium to coat it and glue it. I decided to do it this way, as still struggling with oils as a medium, having a tonal 'sketch' to work on might be a help for a novice. It's also a method I used at the Illustration Master Class in Massachusetts last year. Hopefully it'll end up completely different or at least 'changed' in some way. I'll post my 'attempts' in stages as I do them for you point and laugh at... :P

Bristol Comic Expo

A little heads-up for an event I'll have a stall at this coming weekend, of the 12th - 13th May, the Bristol Comic Expo. If you're in the area please pop along! Last year they had Stormtroopers directing traffic...

BRISTOL COMIC EXPO

I shall have prints, The Steampunk Tarot, and a couple of other goodies for sale!

The Steampunk Tarot

Over a year in the works, through some pretty traumatic personal times in my life, and The Steampunk Tarot is now in boxes! 78 cards, plus a reverse image, and not counting the 'redos'! It includes some images already familiar to some, plus lots of new ones.

The text is written by the lovely Barbara Moore and the images by me, with her guidance and supervision throughout. The 'steampunk world' in the cards is mine and Barbara's, and has our own personal 'take' on things. I've kept it pretty Victorian, but it blurs occasionally.

Credits to some Steampunk Photoshop brushes a friend gave me, which were named 'hannarb'. Inspiration from John Singer Sargent (believe it or not), most images were drawn from scratch, apart from a couple for which I used my own reference or occasionally a pose from fashion sites or my huge folder of random imagery.

Anyway, a snapshot photo of the box and some of the cards, and suffice it to say, I never want to see another cog as long as I live!

She Wolf Reads

An interview with me on the rather excellent blog, She Wolf Reads.

I really do babble on at times!!

Thank you Lee.

HERE