As I'm currently working on the next Seanan McGuire novel I thought a quick breakdown of my working process for 'Sparrow Hill Road' might be of interest...
First stage, roughs. Quick 10 minute sketches of composition ideas. I wanted her looking to the left as this is considered looking into the 'past', and as a ghost I thought it appropriate.
After discussion, Seanan selected the top right, which was my favourite as well. So I tidied it up a bit:
I wasn't sure about the face or hair, but added a bit of quick tone:
Decided to work up the face some more and tighten up the car. Lots of ref as the model had to be specific, and working out of a flat in Manchester I'm restricted in access to 1952 Ford Crestline Sunliners (although I can get ref for a 1983 Ford Granada estate quite easily!)
A bit of tone to work out lighting:
And then colour. Unusually for me I painted over the tone here in parts.
And the final! Thank you for looking!